Villains and Scoundrels
Jul. 24th, 2010 02:33 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Libby Drew wrote recently about villains, and whether or not they have to have a redeeming quality. Here's a related (and timely) article on the subject of villains and how to craft a better one.
So ... what do you think makes a good villain?
From Writers' Digest - 3 Techniques For Crafting a Better Villain:
CREATE A VILLAIN WORTH PURSUING
You can’t just throw all your suspects’ names into a bowl and pick one to be your villain. For your novel to work, the villain must be special.
So ... what do you think makes a good villain?
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Date: 2010-07-25 01:46 am (UTC)It's something I've been thinking about lately because I'm writing a story where the main character is the villain in a way. He's not evil, but he's not meant to be a likeable character at first, because of the things he believes in and collaborates with (he's the son of a major Nazi commandant in a WW2 concentration camp and a soldier himself). The story revolves around his best friend's family being arrested for treason and taken away, and a few years later he's working at a concentration camp under his father's command with no questions or qualms about it when he meets his friend again who's just been shipped to said camp, still a prisoner and sans-family. He essentially ends up keeping his friend alive (he's not a Jew, just a political prisoner) and ultimately the favour is returned in the Nuremberg trials. That's like a super basic outline, lol.
It's a difficult character to write because I want him to be a realistic figure of a young adult who grew up in Nazi Germany and has a father in such a high position (this family has had Hitler over for a personal dinner) and as such not only holds but completely believes all of the rhetoric and prejudice. So in that respect he is the villain - he's committing all these horrible acts and seeing into his head isn't necessarily pretty. But besides the relationship that develops between the two men and the trials they face in such awful circumstances, the story is more about his growth as a person, his relationship with his father, and a very slow change of heart per se and the crushing guilt that comes with it.
WW2 stuff can be really touchy and the idea of having a full fledged Nazi as a protagonist could turn a lot of people off or even anger them, because everyone wants to read about the war hero who 'didn't really believe in it to start with', you know? This guy isn't a hero, at all, so I'm really struggling to write him. :/ I guess the real baddie is the father, but even he has redeeming qualities because he's still family.
Wow that was long, sorry hahah. I just felt like talking about that since it's fitting. Let me know if you have any suggestions :P
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Date: 2010-08-04 10:19 pm (UTC)Sounds interesting.
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Date: 2010-08-16 03:38 am (UTC)What if that simply wasn't the case?
Or what if the "Hero's Journey" simply took a person down that road that, once they look back, they realize: "Holy shit! I'm the villain!" And by then, it's too late.
I'm toying with this idea.
I mean, imagine Harry Potter saying, after OoTP, "You know, you fuckers--" points to McG and Dumbles "--are no fuckin' better than Voldemort. At least I know he's trying to kill me. You lot would rather I stumble blindly to my death!"
But also, the idea of waking up, doing what you normally do, only to realize that everything thinks you're the bad guy . . .
I've actually been in this situation, at a meeting at work, when I was arguing for something and suggesting things to my boss (who thinks I shit piss diamonds and shits gold) that NO ONE ELSE wanted. And it wasn't until an hour into the meeting when I realized that the others weren't just picking apart my idea in an effort to iron it out, but rather they absolutely did not want my idea to happen and was actively trying to kill it out the gate. That's when I realized that, were it a novel, I'd have been the bad guy.
Anyway . . . enough of that.
There was a Marvel comic book series called Cloak & Dagger. Dagger shot light knives that, when it hit the target, the person basically lived out all of their misdeeds and their 'evilness' was turned onto themselves, thus purifying them, redeeming them.
They fought Dr. Doom. And when she hit him with a light dagger . . . nothing. It wasn't just that he convinced himself we was doing the right thing, he honestly believed that his was a noble cause.
You would have to carefully set up a story like this. You'd have to present information to the reader in a way that would convince us that he is noble, not just in his beliefs but in his actions. Then you'd have to pick the right time for that carefully constructed house of cards to come tumbling down.
I wonder, though, how many readers would resent the mind-fuck? I wonder, too, how much you could hand to the readers as a forewarning without giving too much away?
I dunno . . . just thinking thoughts.
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Date: 2010-08-19 02:40 pm (UTC)And I've always been intrigued by the villain's journey. I like getting inside the head of the bad guy, and got all sadface when she said that, because I've been mapping out my murder mystery from the villain's pov. Not all of it, and I'm not sold on which point of view (or points of view) I will use. But still ... I've read stories and enjoyed when you get the bad guy's perspective.
AND I bet there are lots of 'bad guys' who think they're doing the right thing. *nods*