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I know, I know ... I don't post forever and then BAM! A gazillion in a row. Click the link for the full article. Snippets below.

From INTERN - "it's not you, it's me": INTERN's guide to breaking up.

"It was with the godawful novel she’d been working on for over a year. In many respects, INTERN’s relationship with this novel was more tumultuous than any of her other relationships have been, and the parting of ways was definitely messier. INTERN just didn’t know how to leave."


She makes some really good points. The part that most resonates with me:

"Your novel wants commitment and you want to play the field.

You’ve been though one draft together. It was fun and all, but now you’re thinking you want to write a thriller, or maybe some poetry, or that screenplay you’ve been thinking about. Your novel, on the other hand, wants to settle down and make beautiful revisions together. [...] You’re not ready to commit to untold months of revising, querying, and revising some more. You like your novel, sure, but that doesn’t mean you want to spend your whole life together."

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Heheheh.

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Here's an article that might make you feel a bit better about the seemingly endless number of rules and guidelines for writing (you know, the ones that so many of the bestsellers break).

Writing Rules are Just Tools from Rachelle Gardner.

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First, OMG, Dreamspinner Press accepted my short story and *\o/* will be publishing it in their Advent Calendar in December. Yay!

A big thanks to those who looked it over before I submitted it ♥.

Second, here's a link to what American Book Review feels are the 100 Best First Lines from Novels. You be the judge. (There were at least a couple that lost me and had me nearly drifting off before the end.) Most are good, though. I think the key for me is 'Does it compel me to continue, with an almost need to know what comes next?'

Is there a first line in a book that you would consider to be one of the best? I will admit I don't tend to remember first lines once I get into a book, and I'm not sure I'd say it was the best, but I do like how the Harry Potter series started: "Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much." ~ JK Rowling

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From Nathan Bransford - How to Write a Novel

If you try and hold the entire novel in your head all at once and attempt to imagine it in its entirety and all of its various ins and outs, your brain will suddenly become so heavy that you will topple over backwards and pass out.


I love that he walks you through the process, linking to posts he's done in the past on specific topics. Oh, and a random link to a Bachelorette article. This one's definitely something to bookmark, even if you don't agree with everything he says.

Revisions

Aug. 29th, 2010 08:33 pm
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From Rachelle Gardner - The Revision Letter.

Some of you may wonder, what exactly does that letter address? Simply put, it addresses whatever your particular book needs to make it the best it can be. But to be a little more specific, here is a rundown of SOME of the things your editor may look at.


A good thing to keep in mind as you feel crushed by all the proposed changes: "Sometimes people ask how it could be that an agent or editor would believe in a project enough to take it on, yet request so many editorial changes. The answer is twofold. First, we specialize in seeing potential - reading between the lines, as it were. Second, we might love a manuscript, but we almost always know some ways to make it even better. It's just what we do."

Maybe that'll lessen the blow. Probably not, but one can always hope. :)

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Last week I posted about villains. This week I link to a more general article with some interesting tips, including a couple of suggestions regarding protagonists.

From Janet Fitch, Ten Writing Tips That Can Help Almost Anyone:

7. Smarten up your protagonist

Your protagonist is your reader’s portal into the story. The more observant he or she can be, the more vivid will be the world you’re creating. They don’t have to be super-educated, they just have to be mentally active. Keep them looking, thinking, wondering, remembering.
.


So ... any words of wisdom you have or that you've read? If you could come up with one to five tips on writing, what would they be? What works best for you? On the flip side, have you read/heard tips that you think are a load of crap, or that just don't work for you?

Personally, I found that two books in particular are excellent.

The First Five Pages: A Writer's Guide To Staying Out of the Rejection Pile by Noah Lukeman.

Manuscript Makeover by Elizabeth Lyon.

Both of these get into the nitpicky details as well as the big-picture issues. I own both books and have referenced them a lot. No, not alot, but a lot. ;D

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Libby Drew wrote recently about villains, and whether or not they have to have a redeeming quality. Here's a related (and timely) article on the subject of villains and how to craft a better one.
From Writers' Digest - 3 Techniques For Crafting a Better Villain:

CREATE A VILLAIN WORTH PURSUING
You can’t just throw all your suspects’ names into a bowl and pick one to be your villain. For your novel to work, the villain must be special.


So ... what do you think makes a good villain?

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From the Guide to Literary Agents blog, here's a link to a recent article on Urban Fantasy you may find interesting:

Urban fantasy has become a catchall phrase for contemporary-set fantasy and magical realism. It draws on many traditions of fantasy, horror, hardboiled crime fiction and even romance, blending them together in differing degrees to give us new stories with old tropes. It first really broke out with Laurel K. Hamilton’s Anita Blake series in the 90s and has been growing by leaps and bounds ever since, cross-pollinating additional genres as it goes, including of course young adult. By this point, it’s a mature subgenre and very crowded. So can a new author still hope to break out? Of course!

Here are a few things to keep in mind as you go about breaking out ...


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People write in such varied ways, and I know that outlines are an integral part of some writers' process, while they stifle the creativity of other writers. Out of curiosity, I thought I'd post a poll. (I swear I don't plan to spam your friends page like this all the time, but I seem to be on a roll today). Humour me, would ya? Thanks. :)

Click to complete the poll ... only 5 questions )

Until recently, I did not do a lot of pre-planning, but rather started out with an idea, jotted some scenes down, then expanded upon it based on what I had written and where I was going. Now I plan more, but there's a bit of play involved. I have a basic outline when I start, then as the story evolves, I can fill in more details and revise as I go. And - big surprise! - there are spreadsheets involved. I look for things typical in my own writing as well as overall issues with plot, character and word usage.

How about you?

justine_currie: (quill and ink)
Ever wonder if you focus too much on the nitpicky details when you're writing? Ever lose sight of the story while stressing over grammar? I'll admit I'm ridiculously picky about grammar, spelling, etc., but I do try not to let that interfere with the flow of writing when I'm getting words down for my first draft.

Here's some great advice, from Agency Gatekeeper (click for link to full post):

If you write with the constant fear of being wrong--if your sentences evidence a word-by-word, micromanaging quality--if we can picture you writing with a normal pen in one and hand a red pen in the other--your nervousness will come through. We'll get antsy. And then we'll start looking for tiny errors, too.

We don't want to be looking at what's wrong--we want to be dazzled by what's right.

You can always go back and correct errors. You can't go back in and add awesomeness.

I dunno ... I figure you could always go back and add in a sparkly vampire or two. ;D

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